We Will Rock You is perhaps the most unlikely of West End success stories; however as it enters its seventh year, making it the longest running show ever at London’s Dominion Theatre, it is unsurprising that the UK’s schools and colleges are now desperate to have a go.
There is a great deal of talent on show in this production. Robin Jeffcoat-Dick is wonderfully expressive as Galileo Figaro – the awkward, anti-hero with an ego to boot. He tackles the musical numbers with gusto and an all important sense of fun; capturing the very essence of Queen’s many hits. He is well matched by the young Steph Hope as Scaramouche, who at just 15 is a real ‘one-to-watch’ for the future.
Nick Batten’s portrayal of Commander Khashoggi is also outstanding. He skilfully demonstrates the evil side of the rebel-crushing Police Chief, but also brings a real sense of humour to the part, which is so often lost in other productions. For me, his duet with Jessica Deeley’s Killer Queen is the highlight of the show, with an impressive lighting display and a strong chorus performance making the number really stand out.
There are of course many other performances that deserve a mention. Jordan Morrison for example brings an unparalleled energy to the stage as Britney and Mike Davey’s Pop is instantly likable. However, it is Director, Producer, and all-round Wonder Woman, Julia Hopkins who really deserves a proverbial pat on the back. Venturing where only the very brave would dare, she has managed to put together a dazzling show, both in terms of casting and creative vision.
In short, this production is remarkably impressive and it is clear that the cast are enjoying themselves just as much as the audience are.
There is a great deal of talent on show in this production. Robin Jeffcoat-Dick is wonderfully expressive as Galileo Figaro – the awkward, anti-hero with an ego to boot. He tackles the musical numbers with gusto and an all important sense of fun; capturing the very essence of Queen’s many hits. He is well matched by the young Steph Hope as Scaramouche, who at just 15 is a real ‘one-to-watch’ for the future.
Nick Batten’s portrayal of Commander Khashoggi is also outstanding. He skilfully demonstrates the evil side of the rebel-crushing Police Chief, but also brings a real sense of humour to the part, which is so often lost in other productions. For me, his duet with Jessica Deeley’s Killer Queen is the highlight of the show, with an impressive lighting display and a strong chorus performance making the number really stand out.
There are of course many other performances that deserve a mention. Jordan Morrison for example brings an unparalleled energy to the stage as Britney and Mike Davey’s Pop is instantly likable. However, it is Director, Producer, and all-round Wonder Woman, Julia Hopkins who really deserves a proverbial pat on the back. Venturing where only the very brave would dare, she has managed to put together a dazzling show, both in terms of casting and creative vision.
In short, this production is remarkably impressive and it is clear that the cast are enjoying themselves just as much as the audience are.