Four years ago John Trigg returned from Venice where he spent a year lost in Tintoretto and other classical masters, religious icons and architecture. Returning to his studio in Penzance, Trigg has transposed the essence and sensibilities of Venice, the iconography and dark corners where the sun has never shone, the softness of stone touched a thousand times and over, into a body of work drawn from the Seas Edge; seascapes, where the ocean appears as if cupped and proffered by the land, and portraits - a series of drawings and paintings of Tombstone Boys.