Carousel has arguably the best score produced by Rodgers and Hammerstein. So many beautiful classic tunes are in there - love songs, comedy songs and rousing anthems - that you cannot help being swept along by them. I know I was not the only one to leave the auditorium humming along to the addictive melodies! It would have been good to hear more volume from the orchestra, particularly during the overture, but this is really my only major criticism of a very enjoyable evening.

The show charts the story of carousel barker Billy Bigelow who is torn between maintaining his tough guy image and admitting - to himself as well as to everyone else - that he really is as vulnerable as any other man in love. Sam Kane in the lead role of Billy is a revelation. He has a rich, powerful voice that is very well suited to his challenging solo numbers, and the softer tones he uses in the more romantic moments bring out the best of Rodgers' lilting melodies. The subtle vocal changes really emphasise his character's inner torment and ensure that Kane holds his audience's attention throughout.
Jane Mark brings an endearing, girlish quality to the character of Julie Jordan, Billy's wife. She has a pretty voice which, although a little weak at times, forms a good contrast to Kane's deep tones.

The performances of Lynsey Britton (Carrie Pipperidge) and Richard Brightiff (Enoch Snow) were particularly enjoyable, the couple working well to show a contrast to the Billy/Julie partnership. Britton is vivacious throughout and makes the most of her musical numbers and it makes a refreshing change to see a younger portrayal of Mr Snow in Brightiff. Reducing the age gap between the two characters serves to strengthen the relationship between the two. They are an excellent comedy duo.

There are fine performances too from Jill Pert (Nettie) and dancer Maxine Bowers (Louise), yet all the cast members really deserve to be singled out and complimented on their performance. This is a real team effort, which owes its success to the input of every individual involved.

This applies on a production as well as a performance level. Director Julian Woolford has created a vibrant, colourful production which is a true feast for the eyes. The choreography by renowned dancer/choreographer Wayne Sleep is exciting and innovative, the 'Carousel Ballet' being a true delight to watch. All this combines with a creative, detailed set and costume design to produce a remarkable spectacle that really should not be missed.

For anyone who enjoyed all the reruns of classic Hollywood musicals over Christmas, this is a must see. The production brings out the best of Rodger's and Hammerstein's masterpiece, remaining loyal to the original style and intention of the show, while at the same time bringing a bright, fresh, modern take on its content. I would certainly pay again for a second ride on this Carousel. Hope to see you there! Hurry aboard though - it stops turning at the New Theatre on Saturday night.

Jennifer Smith, 27.01.04