Puss in Boots
By Paul Knight, Directed by Michele Hardy, Oxford Playhouse until January 12th 2003

 

 

Once again the Playhouse team of Michele Hardy and Paul Knight will be making Christmas happier for the thousands of children who will be streaming into the theatre for this year's pantomime - Puss in Boots. The usual star free / talent rich cast which the Playhouse assembles gave 110% throughout and the song and dance numbers would easily have graced a West End stage.


The plot follows a young Spaniard, Pablo, off to seek his fortune, with the help of his cat, who can talk, and the useless assistance of his brothers, Costa and Brava. On reaching Castille he falls in love with the beautiful Princess, daughter of Queen Leftfeeta. His plans for love are nearly thwarted when the evil El Ogre kidnaps the Princess but, as you can guess, everything turns our all right and they all live happily ever after.


As Pablo and Princess Isabella Rupert Ward-Lewis and Kate Tydman make a great Panto romantic couple, both have excellent singing voices which were used to good effect in their duet - a version of Elton John's Your Song. It is good to welcome Russell Davies back as the Dame after his Mother Goose last year and in dual roles as the brothers Costa and Brava, and the valets Vida and Loca, Nolan Frederick and Ben Stock showed good comic timing and nice audience interaction. There is no doubt though that two of the cast really took centre stage - as Pussy Catto Aimee Thomas was wonderful, not only can she belt out a song with the best but her physical acting was terrific. However, few things are as much fun to watch as a real Panto villain in full flow and, as El Ogre, David Delve had it just right. His musical numbers, including an inspired reworking of Bohemian Rhapsody were delightful, and the children in the audience were never in doubt that this was a man to boo and hiss.


At the end of the day one can only judge Panto by the reaction of the children and those near to me were enthralled, totally captivated by the singing, the sets and the entire experience. Well done Playhouse.

David Wootten