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       101 Rejkyavik (18)  | 
  
  There are no new horizons in this film. Yes, there are quite a few 
  perhaps talented young fellows who have a difficulty to adapt to  
  mature life, to get a job, to get a stable relationship and financial  
  independence. Hasn't everyone? But there is a novelty:  
  a middle-aged mum comes out of the closet and declares her lesbian 
  preference. Hang on, though: could you imagine a dad coming out of the  
  closet? Probably, but then the emphasis of the film would have  
  been very different. I mean, I'm somewhat suspicious about this 
  lesbian line: isn't it just another sexy (literally and figuratively 
  speaking), saucy attraction, added to too many recent productions to mention just for its own sake? 
  Hardly anyone, presumably, would be as curious to watch middle-aged or 
  old men engaged in gay sex. Not so with women. Likewise, I've never 
  been to Reykjavik, but I'm stunned to discover the apparently large 
  number of lesbian or bi-sexual girls in its pubs. The asymmetry with 
  homosexual men is obvious. So I have my doubts about this film's 
  realism, or more exactly, its cynical exploitation of basic instincts. 
  The film pretends to be a comedy. But it fails. As far as I'm 
  concerned, there's just one genuinely funny moment - the scene with 
  the parking inspector. All the rest are only *supposed* to be funny. A 
  positive point, however, is that they are not tasteless. If 
  it's a failed comedy, does it deliver a message? Hardly. Except 
  possibly one: Hlynur eventually finds the job. That could be a serious 
  message, if Hlynur were described as a rebel at the beginning. Which 
  he isn't. Hence the film doesn't aspire to be anything but a comedy, 
  and in that department it fails, I believe.  Rating: 6.5.   |