| If you add up the box office receipts of all his films, Harrison Ford 
        is by some distance the biggest star of all time. Eddie Murphy currently 
        sits fifth in this table, which might explain his recent focus on big 
        studio family films. With no apparent interest in writing or directing 
        after the disastrous Harlem Nights, perhaps his motivation is simply to 
        entertain more people than anyone in history. Then again, it could be 
        the $20 million he gets for each film
 It seems charitable to come up with some excuse for his participation 
        in The Haunted Mansion, for there's nothing in the script to recommend 
        it. Murphy plays Jim Evers, a cheesy estate agent who neglects his family 
        to focus on work. Jim promises to take his family away for the weekend, 
        but on the way he makes them stop at one last call, a baroque mansion 
        which has just come on the market. Naturally, complications arise, and 
        before long he and his family are trapped in a nightmare involving ghosts, 
        secret passages, and an ancient mystery.
 The Haunted Mansion is based on a Disney ride, but this is a creaky merry-go-round 
        compared with the thrilling rollercoaster that was Pirates Of The Caribbean. 
        Murphy's character is prissy and vain, a man who avoids getting out of 
        his car in case his shoes get dirty. Marsha Thomason, Shazza in TV's Playing 
        The Field, is stunning but bland as his wife, and the comic turns (Terence 
        Stamp, Wallace Shawn and Jennifer Tilly) are left embarrassingly adrift 
        by a humour-free script. This is, of course, a kids' film, but kids are 
        just as sensitive to weak storytelling and non-jokes as adults, and possessed 
        statues singing barbershop quartets is a non-joke. What's perhaps most troubling is Disney's apparent policy of discreetly 
        including racial tension as a plot element in its films. The Lion King's 
        hyenas were clearly identified as being black, in a move that seemed purely 
        designed to reinforce the antagonism between the two sets of characters. 
        Here at least the subtext is slightly less inflammatory; the reason the 
        family are trapped in the mansion is because Murphy's (black) wife is 
        the spitting image of the woman who had a love affair with the owner centuries 
        ago, but could never marry him because 'they were from two different worlds'; 
        Disney-speak for 'she was black' apparently. The Haunted Mansion is just a kids' film, but it's a rubbish one. Treat 
        the family and rent Robin Hood instead.
 David Haviland, Jan. 2004
 |