Valentin is a precocious 8 year old boy who, like another famous 8 eight
year old - Lisa Simpson - is wise beyond his years. In a moment of sincerity
and innocence, he screams "Why do all grown ups lie all the time?";
the theme of this funny, charming film from Argentinian writer-director
Alejandro Agresti.
Valentin is played by the irresistibly cute Rodrigo Noya, and resembles
a cross between Etre et Avoir's Jojo and The Wonder Years' Paul Pfeiffer.
Valentin lives with his grandmother (Carmen Maura), who is slowly losing
the will to live following the death of her husband. Valentin has little
contact with his parents. His father (played by the director) lives like
a bachelor in another city, only paying reluctant visits, and his mother
won't, or can't, see him. Valentin barely remembers her, but spends his
days counting to 1000 in the hope that this will bring her knock at the
door.
Every now and then his father brings home his latest girlfriend, and
each time Valentin achingly hopes that this one will be a mother to him,
but the relationships never last. One day his father brings Letitia (Julieta
Cardinali) home, and she is beautiful and kind, everything Valentin has
dreamt about. Letitia spends the day with Valentin who, starved of female
attention, treats it like a first date, in some of the film's funniest
scenes. He falls for her, but as they share their secrets he is indiscrete,
and accidentally divulges what his father is really like. This ends the
relationship, and widens the emotional gulf between father and son.
Valentin is a celebration of innocence; a film which argues that no parent
has a more important role in life than the care of their children. It's
also a celebration of women, and a reminder that men's perceptions of
women are not intuitive, but are taught. Every man in Valentin's life
passes on his own prejudices; his primitive uncle argues "It's not
just the breasts, a woman is more than that", while his doleful piano
teacher explains "Women are a necessary evil."
At the end of the film Valentin tells us he has decided to become a writer:
"At least I had enough for one story, even if it is a little one."
It is a little story, but like the boy, it is a delight.
David Haviland, 2004
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