We are used to thinking of history as something constructed long after the events which it attempts to record have taken place, but Brian Friel demonstrates in Making History that in fact it is also written as those events are actually happening. This does not necessarily mean that it is any more likely to be accurate, however: on the contrary, historians of contemporary events have a unique opportunity to reshape those events in such a way as to influence what might happen next.

The setting is Ireland, in the time of Elizabeth I: Hugh O'Neill is torn between loyalty to the Queen, who has made him an earl, and loyalty to the Irish people, whose interests might be better served by independence from England. One of those who incites him most vigorously to rebellion is the archbishop Peter Lombard, who is also writing O'Neill's history; he is therefore immediately exposed as trying to provide himself with material for a glorious story of Ireland's great hero - a story he is determined to write, despite the rebellion's ignominious end and O'Neill's fall from grace.

Making History is not a complex history play; one does not need a PhD in the period to follow it. Rather, it concentrates on the domestic, behind-the-scenes events which led up to the rebellion. Friel keeps it simple and so keeps our attention, especially in the sub-plot concerning O'Neill's third marriage to an English girl. Throughout, the focus is on emotions rather than actions, and the complexity of divided loyalties is well realised by the actors playing Mabel and Hugh.

This production is let down by its set and by the tendency of the actors to rush their lines: this, however, improved as the performance went on and they relaxed into their parts. Peter Lombard is played with a smooth confidence and sense of being in command and Hugh O'Neill, whose characterisation carries the play, with impressive control. Both were wholly convincing. This is a moving and thought-provoking play, competently handled. But if you like your theatre fast-moving and funny, then it might not be for you.

Emma Dummett, 15 / 5 / 01