Pierre Choderlos de Laclos's controversial story of seduction and deception in 18th century high society is given stellar treatment at the Moser Theatre (Wadham College) this week.
Initially, the strongest impression is made by the show's high production values, especially the beautiful costumes which are faithful down to the last detail. This goes a long way in making the audience feel comfortable in the characters' world. However, 'Dangerous Liaisons' is not simply aesthetics with no substance.
Director Gareth Russell deserves considerable praise for casting each part perfectly and for teasing out the script's tragedy, comedy and decadence - all of which sit side-by-side throughout the fast-moving and complex storyline.
The performances were all very strong - although one or two had a problem with projection, which is inexcusable in a small theatre like the Moser. Danielle Stevens and Sophie Siem deliver hilarious portrayals of the Comtesse de Volanges and her airhead daughter, Cecile, whilst Jonathan Rhodes's cameo as a womanising valet is entertaining. However, this show really belongs to Emerald Fennell and Kitty Kaletsky in their roles as the play's central women. Fennell in particular dazzles as the seductive, manipulative villainess whose machinations drive the play.
Cleverly and confidently directed, compelling acted and beautifully designed, 'Dangerous Liaisons' is a clear success. It's only a pity that it's not being shown in one of Oxford's larger theatres. Although a long play (almost too long), it is nonetheless engaging, moving and extremely enjoyable.
Initially, the strongest impression is made by the show's high production values, especially the beautiful costumes which are faithful down to the last detail. This goes a long way in making the audience feel comfortable in the characters' world. However, 'Dangerous Liaisons' is not simply aesthetics with no substance.
Director Gareth Russell deserves considerable praise for casting each part perfectly and for teasing out the script's tragedy, comedy and decadence - all of which sit side-by-side throughout the fast-moving and complex storyline.
The performances were all very strong - although one or two had a problem with projection, which is inexcusable in a small theatre like the Moser. Danielle Stevens and Sophie Siem deliver hilarious portrayals of the Comtesse de Volanges and her airhead daughter, Cecile, whilst Jonathan Rhodes's cameo as a womanising valet is entertaining. However, this show really belongs to Emerald Fennell and Kitty Kaletsky in their roles as the play's central women. Fennell in particular dazzles as the seductive, manipulative villainess whose machinations drive the play.
Cleverly and confidently directed, compelling acted and beautifully designed, 'Dangerous Liaisons' is a clear success. It's only a pity that it's not being shown in one of Oxford's larger theatres. Although a long play (almost too long), it is nonetheless engaging, moving and extremely enjoyable.