Glorious! at the Oxford Playhouse proved to be an utterly delightful and uplifting theatrical experience, capturing the eccentric charm and irresistible spirit of its central character from the very beginning. Written by Peter Quilter and directed by Kirk Jameson, this 20th anniversary production brings fresh energy to a much-loved story, drawing the audience into the extraordinary world of Florence Foster Jenkins - a woman whose passion for music far outweighed her technical ability.
The early scenes skilfully introduced Florence, played with exuberance and warmth by Wendi Peters, as a larger-than-life figure defined by her unwavering self-belief. Draped in flamboyant costumes and brimming with confidence, her presence immediately lit up the stage. The comedy, particularly in her notoriously off-key singing, was executed with precision and charm; each ambitious note was met with waves of laughter from the audience. Yet, rather than feeling cruel, the humour remained affectionate, celebrating Florence’s determination and individuality rather than undermining it.
As the performance unfolded, the heart of the story emerged through Florence’s relationship with her accompanist, Cosme McMoon, portrayed with sensitivity and excellent comic timing by Matthew James Morrison. Their unlikely friendship provided some of the production’s most engaging moments, balancing humour with genuine warmth. Morrison’s reactions and subtle expressions offered a perfect counterpoint to Peters’ bold performance, creating a dynamic that felt both authentic and deeply entertaining. These interactions allowed the narrative to develop beyond its comedic premise, revealing a more nuanced exploration of loyalty, kindness, and the courage to pursue one’s passions despite criticism.
The pacing remained confident throughout, with seamless transitions between lively musical moments and quieter, more reflective scenes. The staging was simple yet effective, ensuring the focus remained firmly on the performances and the character-driven storytelling. As Florence prepared for her performances, the anticipation built naturally, leading to a climactic sequence that was simultaneously hilariously chaotic and unexpectedly moving.
By the final moments, Florence’s unwavering belief in herself, despite being dubbed “the worst singer in the world", became oddly inspiring. The closing scenes encapsulated the essence of the play: a celebration of resilience, self-expression, and the joy of embracing one’s individuality. The audience response was a testament to the production’s success, with sustained laughter throughout giving way to enthusiastic applause and a real sense of appreciation at the curtain call.
Overall, Glorious! struck an excellent balance between comedy and compassion. It was by turns laugh-out-loud funny and genuinely touching, leaving the audience uplifted and thoroughly entertained - a truly memorable night at the theatre.
